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Canon EOS 60D
EF 50mm f/1.8 STM
50mm f/2.2 1/640s ISO 100
平静水面
毫无疑问,狂风暴雨来袭之时,水面的倒影也会被撕裂得支离破碎,难以拼成完整的图案。
当风波过后,水平如镜,掩映着周围的秀丽景色,真的是难得的拍摄画面。
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Canon EOS 6D
Sigma 12-24mm f/4.5-5.6 EX DG ASPHERICAL H S M
24mm f/5.6 1/100s ISO 100
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Canon EOS 5D Mark III
EF 50mm f/1.4 U S M
50mm f/1.4 1/500s ISO 800
延长曝光
在影棚中,可以自己布置一块镜面,随时都能获得清晰的影像。但是在室外,天气永远是摄影爱好者需要面对的挑战。当微风拂过水面,荡起涟漪,难道我们就要放弃按下快门的手指么?
NO!代号自己的三脚架,找好拍摄的角度,立稳相机,延长曝光的时间,波动的水面就会如丝绸般柔滑,慢慢流淌。
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Canon EOS 5D Mark III
EF 24mm f/1.4L II U S M
24mm f/16.0 25s ISO 100
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Canon EOS 5D Mark II
Tamron AF 17-50mm f/2.8 Di-II LD Aspherical
17mm f/10.0 25s ISO 50
降低身段
想要拍摄出精彩的倒影,包含更多的内容,要么让水面足够广阔,使用中长焦截取画面;要么令相机贴近水面,让眼前的水洼容纳更多内容。总之,降低镜头与景色之间的夹角,低一点再低一点,让倒影完美地呈现在画面之中。同时,降低相机的高度之后更易实现中间构图,以水面为分界,形成对称,富有美感。
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Canon EOS 6D
EF 17-40mm f/4L U S M
17mm f/11.0 1/40s ISO 125
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Canon EOS 6D
EF 17-40mm f/4L U S M
17mm f/13.0 1/80s ISO 100
调节反光
在我们知识积累顶峰的那个年纪,应该每一个人都知道自然光与偏振光的区别??太阳光的振动方向朝向四面八方,然而只有某一振动方向的光才能通过偏振片。根据这一原理,在镜头前加上圆形偏振镜(CPL),通过旋转滤镜,可以调节反射光与透射光的比例,这样就可以根据需求强化反射光线,让倒影清晰;或是让水面下的影像与倒影相融合,形成梦幻的效果。
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Canon EOS 5D Mark II
EF 16-35mm f/4L IS U S M
20mm f/10.0 1/100s ISO 100
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Canon EOS 5D Mark III
EF 24-105mm f/4L IS U S M
24mm f/8.0 1/400s ISO 100
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Canon EOS 5D Mark II
EF 50mm f/1.4 U S M
50mm f/2.8 1/2000s ISO 100
平衡光比
在拍摄倒影的时候,需要避免光线从上方直接打向水面,最佳的光线方向应该是逆光或是侧光,黄昏或是阴天则是较适宜的拍摄时间。虽然如此,在太阳角度不够低、光线还比较强烈的时候,或是夜晚建筑灯光比较明亮之时,我们可以借助渐变镜(GND)或是“扫黑卡”的方式来平衡实物与倒影的光线强度,令画面更加舒服。
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Canon EOS 5D Mark III
EF 24-70mm f/4L IS U S M
24mm f/9.0 1/250s ISO 100
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Canon EOS 5D Mark III
EF 16-35mm f/2.8L II U S M
35mm f/16.0 1/15s ISO 200
颠倒世界
在众多中规中矩的拍摄照片之中想要脱颖而出,就要具有与众不同的特色。比如,将照片的倒影作为画面的主体,将照片翻转过来,模糊的影像增加了画面的神秘感,细细品来也别有一番趣味。
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Canon EOS 60D
EF 24-70mm f/2.8L IS U S M
24mm f/8.0 1/125s ISO 125
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Canon EOS 70D
EF-S 18-135mm f/3.5-5.6 IS
55mm f/9.0 1/8s ISO 100
打破常规
谁规定照片就一定要中规中矩?只要好看,我有我风格!
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Canon EOS 5D Mark II
EF 24-105mm f/4L IS U S M
50mmf/4.51/100s ISO 500
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Canon EOS 6D
EF 85mm f/1.8 U S M
85mmf/8.01/320s ISO 500