14 人工翻译英文

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查看11 | 回复3 | 2009-7-23 04:19:53 | 显示全部楼层 |阅读模式
How to draw ...animation storyboards
Thus the viewer is drawn into the story and becomes more involved, being able to see close up the dangers they face. The images are highly controlled as opposed to the “play” audience who are watching at a safe distance as observers.
A sequence of scenes from a live-action movie. There is an establishing shot to set up relationship of actors followed by mix of one and two shots to retain audience interest and emphasize the dialogure.
Scenes from early D.W.Griffith films.
D.W. confers with his Cameraman.

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千问 | 2009-7-23 04:19:53 | 显示全部楼层
How to draw ...animation storyboards怎样绘制动画片的故事板Thus the viewer is drawn into the story and becomes more involved, being able to see close up the dangers they face. The images are highly controlled as opposed to the “play” audience who are watching at a safe distance as observers. 因此观众被故事情节吸引并且变得更错综复杂,可以近距离看到他们面临的危险。 和那些在...
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千问 | 2009-7-23 04:19:53 | 显示全部楼层
怎样绘制动画片的故事板因此观众被故事情节吸引并且变得更错综复杂,可以近距离看到他们面临的危险。 和那些在安全距离观看的观众相比,这些图像被过度控制了。一部实景电影的一系列场景。 设置人物关系会有一个定场镜头,接下来就是混在一起的一个或两个镜头来吸引观众注意并且...
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千问 | 2009-7-23 04:19:53 | 显示全部楼层
如何吸引...animation情节串连图板吗因此观众正卷入这个故事并变得更加参与,能够看到他们所面临的危险的闭上眼睛的。图像是高度控制的“玩”的观众看是谁在安全的距离作为观察员。一连串的画面从一个真人电影。有一种建立射击建立关系的演员之一,紧随其后的是混合两枪,保留dialogure观众兴趣和强调。从早期的D.W.Griffith电...
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